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If these future worlds sound dystopic, the effect is more utopic—at least in contrast to the contemporary norms they critique. While lampooning sex, Schrauwen also mocks the related gender roles of traditional science fiction tropes. The sixth and longest tale is a riff on Tarzan, with Olivier having to explain to his girlfriend, "I am the hero here; you're a woman with an uneven chest, and of no consequence to the story. Moving beyond genre, Schrauwen delves even deeper into the comics form, using each story to interrogate some norm readers otherwise take for granted.

While "Greys" refers to grey-skinned aliens, the story is rendered entirely in grey tones, as Schrauwen introduces himself as a graphic novelist presenting a personal memoir using yet another kind of grey: "I chose to tell this story in the comics form [because] I believe that precisely in this grey area -- the overlap between what can be said with words and what's best shown with images -- lies the language that can truly convey the profound mystery of the events.

Of course, Schaurwen—meaning either his narrating pseudo-self or the actual author—conveys nothing of the sort, offering an absurdly abstract sketch as a supposed "visual approximation of the fear he felt" because his emotions are "best expressed in a more abstract way. When Schrauwen is running Cartoonify, "small details -- moles, dimples -- have disappeared. Other, more pronounced physical traits seem exaggerated, making it "much easier to find his way around this simplified body. The analysis can be applied to any comic drawn anywhere along the continuum of extreme caricature to photorealism, with each artistic choice defining the psychological effect of its content on a reader.

The transgender Schrauwen suffers from a troll who hacks into her brain hardware and "acts like a narrator. Like a writer telling my life story. It's no coincidence that this Schrauwen unmasks her tormentor while singing nonsense scat syllables on stage.


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In short, Schrauwen literally draws attention to the basic building blocks of comics, science fiction, and our cultural sexual norms. While it's rare for a creator to address even one of these underlying structures of form, genre, or gender, Schrauwen and his team of parallel selves tackle all three for insightfully entertaining results.

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I Always Stayed, I Always Left, and I Never Forget

The me that tried to make some things work and just never could. I have so much compassion now for that person, so much gratitude that she would try so hard. And I hope sometimes that she can see me, too- the one who made the hard choices but was so glad of it later.

Living in a Parallel Universe - Full Documentary

Sometimes, when the me of now messes up, I remember that there are always other versions out there. I can always choose again. Maybe that just seems like a muddle, an overly complicated way to look at the directions our lives can take.

How the poet found his last words by looking out the window.

I can see all the ways it might have been, and when I look at it that way, I know that I made the right choices. If you enjoyed this, you may like:. Sign in. Get started. Crystal Jackson Follow. If you enjoyed this, you may like: The Silent Killer of Relationships. After a relationship ends, we either see all the red flags we missed or ignored along the way-.

Parallel Lives

Unapologetically Me. Lately, I feel like something is broken. In other words, it was his hope that by reading the virtues of his subjects, his audience would imitate their actions. By writing the lives of lawgivers and rulers, both just and unjust, Plutarch holds each subject up to the ethical standards expounded by Plato and Aristotle. He neither condemns nor praises most deeds, but lets the reader determine right from wrong. First, as one of the earliest biographers, he certainly molded and shaped how biographers approached their subjects.

Plenty of authors found inspiration in his work, too. When I first read Plutarch in college, I found his tome dry and tedious. I consider it a much more interesting read nowadays, but I still find myself skimming over some passages. Some of these sources will be in agreement, but many will contradict one another. Nevertheless, one can appreciate to what great lengths Plutarch must have gone to document all of the various sources.

Parallel Lives, Part 1 | Memory Beta, non-canon Star Trek Wiki | FANDOM powered by Wikia

Plutarch also likes to engage in digressions. Some of the problems with the text arise from what Dryden collected. The book as it stands today is not in the order in which Plutarch wrote. Several of the Lives that he alludes to are no longer extant, while some of the comparisons are either missing or were never completed. However, there is enough information contained in the book for attentive readers to fill in the blanks. I confess that I have only read about one-third of the Lives thoroughly, but what I have read has been very interesting.

Whether or not this is the root of our modern tradition I cannot say, but I found bits of information like this fascinating. The Modern Library edition that I purchased in college as one page volume is now offered as a two-volume set. This is the famous Dryden edition. My only gripe is that I wished it included ancient maps, for when Plutarch refers to various cities and trade routes, I am at a loss as to the geographical reference. Another popular edition is distributed by Penguin Classics. Penguin groups the lives according to subject matter for instance, the rise and fall of Athens , which not only makes searching for related lives easier, but the paperback versions are also less bulky.

I pulled it out to start reading it, although I am apprehensive about starting such a dense book set millenia ago in with unfamiliar people and places. This could easily be a semester of study, or longer. As I read, I am reminded of the importance of knowing history. We get so caught up in our modern accessories that we forget the fundamental human nature of all that we do. I started this book, and then it sat without being read for six months. When I picked it up again, I started the chapter on: I pulled it out to start reading it, although I am apprehensive about starting such a dense book set millenia ago in with unfamiliar people and places.

When I picked it up again, I started the chapter on: Lycurgus king of Sparta. The true details are shrouded in antiquity, but this chapter outlines him as a king who worked to create laws and a society for the blessing of his people. The laws of marriage are quite strange. He created a culture of self-denial.

A couple of paragraphs quite struck me, and are quoted here. With like reason may we blame those who misuse that love of inquiry and observation which nature has implanted in our souls, by expending it on objects unworthy of the attention either of their eyes or their ears, while they disregard such as are excellent in themselves, and would do them good.

He who busies himself in mean occupations produces, in the very pains he takes about things of little or no use, an evidence against himself of his negligence and indisposition to what is really good. Loc - Eumenes - betrayed into the hands of Antigonus.

Loc Tiberius was a just man who endeavored to do justice to the people by ensuring that they had property, and not just the rich. He was slain by a conspiracy of the wealthy. May 09, Elad rated it it was amazing.